Digital dinosaur illustration with skin texture experimentation

This digital illustration piece evolved as a tangential work from another project, leading to experimentation with Photoshop texture brushes. The realistic skin rendering of this dinosaur was and enjoyable creative deviation.

Initial sketch

I had the idea for a wildly alternative nativity scene whilst working on the DinoBunny Christmas season greetings cards. Under the title of Nativity Cryptozoology, I added a couple and their offspring (Medusa, Black Lagoon Creature and Kraken) surrounded by onlookers and guardians from paleao-history and mythology. The film Jurassic Park III was fresh in my memory at this time and Spinosaurus aegyptiacus was “on-trend”.

A sketch group of cryptozoological animals including unicorn and Spinosaurus
The original sketch of a crypto-zoological nativity scene including Spinosaurus

Starting the artwork

I scanned and cleaned the pencil sketch as a reference for the digital painting.

Texture by necessity

This composition featured a number of textures, creatively pulling me away from the smooth gradient rendering of the DinoBunny scenes. Straw, fur and feathers needed consideration and I started to illustrate these compnents in a slightly more realistic manner. 

The elephant in the composition

Spinosaurus was again in the movie world pipeline in 2025 as Jurassic World: Rebirth was born. I selected Spinosaurus from the herd and used some elephant skin Photoshop texture brushes to explore more realistic rendering. I had purchased Aaron Blaise’s Creature/Elephant Skin Texture Pack and this was the chance to play with it.

Digital elephant skin texture
Digital skin texture layered and warped to produce realistic overlay to animal anatomy

Re-skinning the Spino

By using Photoshop’s comprehensive layering and warping tools I used the skin textures to stretch and fold over the basic body shape. The linework and  realistic light and shading completed the look.

Spinosaurus digital painting showing deconsructed collage effects and linework process
The linework, shadows and highlights and skin texture patchwork collage

Final artwork

I used assumed realistic colouration for the dinosaur, which lived in what is now Egypt. In the Cretaceous period, though this geography was very different, in fact Spinosaurus was probably semi-aquatic. I have chosen a colour palette based on golds in reference to the original compostion … to be revealed later.

Digital illustration of Spinosaurus aegyptiacus with a skin texture effect
Spinosaurus aegyptiacus digital collage version 1.0

Socials publication

 “Spinosaurus aegyptiacus has migrated southwest from her original composition, retaining her gold colouration but gaining complexion. I experimented with a digital collage effect using @aaronblaiseart elephant hide texture brushes. She will shed this skin back in her native habitat but in the meantime, she stands alone, just her and her shadow.”

Jeff West

The J in the FayJay world

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